Krishnamacharya and his students

A large share of the yoga taught in ordinary studios passes through one teacher’s students. Tirumalai Krishnamacharya taught in southern India in the early twentieth century, including a period connected with the Mysore palace. Biographies give him a long life. This page does not repeat a birth year it has not checked against a document in front of it. What it will say is narrower and firmer: three of his students built three methods that people still sign up for by name.

B. K. S. Iyengar taught a precise, prop-heavy way of holding poses. Blocks, belts, and blankets are part of the method, not a beginner’s apology. Light on Yoga became the reference book for that approach. Alignment, in an Iyengar room, is something the teacher will correct in public. The glossary on this site uses alignment in a smaller sense: stack the joints so the shape is sustainable, and do not treat pain as a higher standard. That is compatible with Iyengar’s caution and much less detailed than his system.

K. Pattabhi Jois taught Ashtanga yoga as a set series linked to the breath. You learn a sequence and you repeat it. The name ashtanga is the same Sanskrit word as the eight limbs in Patanjali, which confuses people on purpose or by accident. Jois’s Ashtanga is a twentieth-century postural method. It is not the eight-limb list, even though the word is shared. A sun salutation on this site is a slow version inside the beginner path, not the Ashtanga series.

T. K. V. Desikachar, Krishnamacharya’s son, became known for teaching one person at a time. The approach is often called Viniyoga. The practice is adapted to the student in the room, which is a different bet from a packed class doing the same series. You will not find a Viniyoga sequence here. You will find written options, such as a chair instead of the floor, because a website cannot see you.

These three are not the only students, and Krishnamacharya is not the only source of modern postural yoga. Singleton’s Yoga Body argues that Indian and European physical culture both belong in the story. Wrestling exercises, gymnastics, and palace demonstration all show up in the research. If a studio says its sequence is “exactly what Krishnamacharya taught the maharaja,” treat that as a claim that needs a source, not as a memory you are obliged to share.

None of this makes the poses on this site counterfeit. Warrior II is a shape with a Sanskrit name, Virabhadrasana II, and a set of safety notes. It became common in classes that descend from this circle. Learning the shape is not the same as joining a lineage. This site does not certify teachers and does not claim those men as its founders.

Sources

• Mark Singleton, Yoga Body: The Origins of Modern Posture Practice (Oxford University Press, 2010), for the modern history of postural practice.
• The pose names and the glossary definitions are this site’s own pages.